Las óleos de todo Ercole Roberti
ID Image  Painting (From A to Z)       Details 
45323  
Ercole Roberti, Der Traum des Architekten
  		 Der Traum des Architekten   mk181 1840 Ol auf Leinwand 134.7x213.6cm
3564  
Ercole Roberti, Ginerva Bentivoglio
  		 Ginerva Bentivoglio   1480 The National Gallery of Art, Washington DC
52735  
Ercole Roberti, Pieta Ercole de Roberti
  		 Pieta Ercole de Roberti   mk223 1450-96
89663  
Ercole Roberti, Portrait of Ginevra Bentivoglio
  		 Portrait of Ginevra Bentivoglio   1480(1480) Medium oil on panel cyf
89665  
Ercole Roberti, Portrait of Giovanni II Bentivoglio
  		 Portrait of Giovanni II Bentivoglio   1480(1480) Medium oil on panel cyf
42899  
Ercole Roberti, The Adoration of the Shepherds,the dead Christ Supported by two angels in the sepulcher
  		 The Adoration of the Shepherds,the dead Christ Supported by two angels in the sepulcher   mk170 circa 1490 Tempera on wood
42897  
Ercole Roberti, The Gathering of the Manna
  		 The Gathering of the Manna   mk170 1490-1495 Tempera on canvas 28.9x63.5cm
42898  
Ercole Roberti, The Stigmatization of Saint Francis and Calvary
  		 The Stigmatization of Saint Francis and Calvary   mk170 circa 1490 Tempera on wood 17.8x13.5cm
3565  
Ercole Roberti, The Wife of Hasdrubal and her Children
  		 The Wife of Hasdrubal and her Children   1480-90 The National Gallery of Art, Washington DC
50872  
Ercole Roberti, Treasures of Liverpool
  		 Treasures of Liverpool   mk216 who lived about 1450-96,belonged to the northern Italian school at Ferrara
Ercole Roberti
1456-1496 Italian Ercole Roberti Gallery Ercole de' Roberti (c. 1451 ?C 1496), also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's Le Vite delle pi?? eccellenti pittori, scultori, ed architettori. The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari: By 1473, when he was 17, Ercole had left Ferrara and was working in Bologna in the studio of Francesco del Cossa. (According to Vasari, Ercole also apprenticed under Lorenzo Costa in Bologna, but this seems unlikely as he was Lorenzo's senior by seveal years). He is known to have collaborated in the frescoes of Palazzo Schifanoia. Ercole's first mature works are his contributions to the Griffoni Chapel for the San Petronio Basilica in Bologna: a predella depicting the Miracles of St Vincent Ferrer (c.1473) (now in the Pinacoteca of the Vatican), and lateral pilasters for the altarpiece commissioned from del Cossa. In 1480, Ercole created a large altarpiece with a Madonna and Child Enthroned with Saints for Santa Maria in Porto in Ravenna, which is now in the Brera, Milan. Portraits of Giovanni II Bentivoglio and Ginevra Bentivoglio attributed to Ercole de' Roberti (c. 1480) are in the National Gallery of Art, Washington, D.C. Ercole succeeded Cosm?? Tura as court painter to the Este family in Ferrara around 1486. His role apparently went far beyond making art: he accompanied Alfonso d'Este on a papal visit to Rome, served as wardrobe manager for Isabella d'Este's wedding in Mantua, and may even have made salamis. A painting of Portia and Brutus (c. 1486-90), believed to be painted for Eleonora of Aragon, duchess of Ferrara, is in the Kimbell Art Museum, Fort Worth, Texas. Ercole's painting of Saint Jerome in the Wilderness from this period is in the collection of the J. Paul Getty Museum, Los Angeles.



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